Gospel artist Sinach faces a ₦5 billion lawsuit over her popular song “Way Maker.”

Despite his involvement, Oluwole alleges that Sinach has kept all the earnings from the song without compensating him fairly. He is seeking ₦5 billion in damages, a share of the song’s revenue, legal recognition of his contributions, and a court order to prevent unauthorized use of the track.

The producer had previously threatened legal action against Sinach in 2022 during a live video with social commentator Daddy Freeze—a threat he has now followed through on.

Sinach, however, maintains that she is the sole creator of Way Maker. Her lawyer, Emeka Etiaba (SAN), argues that Sinach wrote, arranged, and performed the song before Oluwole’s involvement. They assert that Oluwole was hired only for the technical tasks of mixing and mastering and was paid $300 for his services, giving him no claim to royalties or copyrights.

Oluwole’s lawyer, Justin Ige, counters that the lack of a formal contract between the parties leaves room for his client’s claims under Nigerian copyright law, which can protect contributors in the absence of clear agreements.

This legal battle has sparked broader discussions about intellectual property, fair compensation, and the necessity of formal contracts in creative industries. As the case unfolds, its outcome could set an important precedent for resolving disputes in Nigeria’s burgeoning music sector.